Turner frequently turned down “hooker” roles, and even rejected Stephen Spielberg’s offer to star in The Color Purple. Even after her rise to fame, she was rarely offered anything worthwhile. “In the earlier ’60s and ’70s, there were no parts of Black women,” she told Luce Cinecitta in 1986. She later revealed that she’d “always” been interested in acting, though she never got a chance to pursue it before turning to music. Thunderdome was Turner’s first major acting role, and it was also her last. If only she could have done the same in film. You believe it because that’s what Turner did in music. When Aunty shows Max around Bartertown, you absolutely believe that she built it with her bare hands. The character is the embodiment of the singer’s real-life triumph: she’s tough, and she’s a survivor, but she carries herself with tangible grace and an open heart. Though she had appeared in films before, usually as a version of herself, Aunty feels like a true extension of Turner. Just as her moniker suggests, Aunty Entity is the cool aunt of Beyond Thunderdome. Aunty simply exists, fully formed and unapologetic, not unlike Turner herself. ![]() She’s not here to serve the whims of Thunderdome’s white protagonist, nor is she looking to be saved. Aunty is maternal without falling into the role of a Mammy she’s sensual without invoking the spirit of Jezebel. But Turner also brings warmth to her performance, adding a nuance that defies persisting stereotypes for Black women in media.Īunty introduced a new version of Black femininity to the big screen, particularly in sci-fi action, and that has much to do with the woman who brought her to life. Turner oozes sex appeal in Aunty’s scenes with Max, and their introduction in the film’s first act invokes the steamy tension between Grace Jones’ May Day and Roger Moore’s James Bond in A View to a Kill. They also mold her into a road warrior fit to go toe-to-toe with Mel Gibson’s title character. Turner cuts a lean, mean figure as Aunty her 70-pound chainmail dress and platinum wig feel like a knowing wink to Turner’s real-life rock star status. Turner is Aunty Entity, a shrewd, slick mogul who rules over a post-apocalyptic trading post, Bartertown. Miller would later say the role was written with her in mind, and in watching Thunderdome, it’s not hard to see why. In 1985, Turner was handpicked by director George Miller for his third Mad Max film, Beyond Thunderdome. We just want to give some other films a moment in the spotlight, starting with this week’s critic’s pick below.Tina Turner went from rock star to action star in Mad Max: Beyond Thunderdome. Just because a movie no longer appears on this list doesn’t mean it’s been removed from Max. You’ll find our selections organized into five genre categories - drama, action, horror, comedy, and family-friendly - and each week we cycle our recommendations, whether in response to changes in the Max library or just to keep things fresh. Our aim is to pull from a cross-section of what the service offers, including recent additions (this month look for Badlands and If Beale Street Could Talk), enduring classics ( 2001: A Space Odyssey and The Silence of the Lambs), award winners ( Spirited Away), under-the-radar gems ( Shoplifters), general Vulture favorites ( The Shining), and even films that offer an undercooked story but can’t-miss performances from its stars ( First Reformed). The streaming giant’s deep, wide bench makes it perhaps the hardest service to pare down to 30 great films, but somehow we found a way. Discovery holds onto its licensing deals).īut you’re not here to celebrate the size of Max’s library. catalog, as well as hosting Criterion, TCM, and Studio Ghibli (at least for as long as the merged Warner Bros. Discovery’s Max is best understood as the streaming service with a dense catalog of classic films, pulling from generations of the Warner Bros. ![]() Once upon a time, the streaming service was where you could stream blockbusters like Dune and The Matrix Resurrections on the same day they landed in theaters, but that era long gone. *New additions are indicated with an asterisk. This article is updated frequently as titles leave and enter Max.
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